THE RM UP-01 FERRARI PUSHES THE BOUNDARIES OF WHAT IS POSSIBLE IN THE WORLD OF WATCHMAKING, WITH THE TIMEPIECE BOASTING A RAZOR-THIN THICKNESS OF 1.75 MM. A TRUE FEAT OF ENGINEERING, THE FULLY MECHANICAL WATCH INTEGRATES ITS CALIBRE MOVEMENT INTO THE CASE WHICH MAINTAINS SHOCK RESISTANCE, REPRESENTING BOTH BRANDS’ OBSESSION WITH DESIGN AND PERFORMANCE. – CALEB ENJATI, EVLOV, AUGUST 2025
THE HEYDAR ALIYEV CENTRE, LOCATED IN BAKU, AZERBAIJAN, EXEMPLIFIES THE VISIONARY WORK OF THE LATE IRAQI-BRITISH ARCHITECT ZAHA HADID, REINFORCING HER AS “THE QUEEN OF THE CURVE”. THE BUILDING’S SWEEPING LINES AND FLUID GEOMETRY PROJECT A NOTED FUTURISM AND CREATE AN ALLURING AMBIENCE FOR THE ARTS PERFORMED WITHIN, AS HIGHLIGHTED BY THE MAIN AUDITORIUM. – CALEB ENJATI, EVLOV, AUGUST 2024
THE SCALLOP ROSE DISH CRAFTED BY ESMÉ, A MICHELIN-STARRED RESTAURANT IN CHICAGO, AND INSPIRED BY THE WORKS OF LOCAL CHICAGO ARTIST MEGHAN BORAH, EMBODIES THE RESTAURANT’S DEDICATION TO BLENDING ART, PHILANTHROPY, AND FOOD. THE COLORS OF THE ROSE-SHAPED HOKKAIDO SCALLOP, FENNEL DASHI, ALMOND FOAM, AND LEMON VERBENA BURST FORWARD, HIGHLIGHTING THE VIBRANCY OF THE DISH AND THE ARTIST’S DREAMY WORK. – CALEB ENJATI, EVLOV, AUGUST 2025
THE GARDEN OF TIME, AS INTERPRETED BY SABYASACHI FOR THE MET GALA, IS A TESTAMENT TO THE ORNATE INTRICACIES AND RICH HISTORY OF SAREE MAKING. THE HAND-EMBROIDERED COUTURE ENSEMBLE FOR ALIA BHATT TRANSCENDS THE GALA’S FLOWERY THEME, EXHIBITING DEDICATION TO THE TIME-HONORED CRAFT AND CHAMPIONING INDIAN CULTURE, A PRIORITY OF THE FASHION HOUSE. – CALEB ENJATI, EVLOV, JULY 2024
PAST LIVES MATERIALIZES THE HAZE OF NOSTALGIA INTO A DRAWING FORCE, REMINDING US OF OUR OLD SELVES, THE LIFE WE MIGHT HAVE LIVED, AND THE PEOPLE WE MIGHT HAVE LIVED IT WITH. CELINE SONG WRITES AND DIRECTS A BEAUTIFULLY SHOT 35MM FILM FOR HER DEBUT, INVOKING A WARM MELANCHOLY TO ACCENTUATE THAT THE RELEASE OF WHAT COULD HAVE BEEN ALLOWS FOR THE COMFORT OF WHAT, OR WHO, IS NOW. – CALEB ENJATI, EVLOV, JULY 2024
CASTELLO CAVALCANTI, A PRADA-FINANCED SHORT FILM, SHOWCASES THE WHIMSICAL AND AESTHETIC STORYTELLING TALENTS OF WES ANDERSON AS IT FOLLOWS A RACE CAR DRIVER WHO CRASHES IN WHAT TURNS OUT TO BE HIS ANCESTRAL HOMETOWN. WHILE PRADA LOGOS AND IMAGERY APPEAR THROUGHOUT, THE PROJECT IS FAR FROM AN AVERAGE COMMERCIAL FOR THE ITALIAN BRAND, HAVING ALSO PREMIERED AT THE ROME FILM FESTIVAL. – CALEB ENJATI, EVLOV, AUGUST 2025
DIRTY, A BOLD SINGLE FROM INDIAN-AMERICAN RAPPER KOAD, RESPONDS WITH ATTITUDE TO THE HYPOCRITICAL APPROPRIATIONS AND STEREOTYPES FACED BY THE SOUTH ASIAN COMMUNITY. WITH PLAYFUL LYRICS AND AN INFECTIOUS VIOLIN-BACKED BEAT, THE ARTIST TACKLES HEAVY ISSUES WITH CHARM WHILE EMPHASIZING THE IMPORTANCE OF RECLAIMING IDENTITY AND TAKING PRIDE IN ONE’S HERITAGE. – CALEB ENJATI, EVLOV, AUGUST 2025
PHOTO CREDIT: KHRUANGBIN/NIGHT TIME STORIES & DEAD OCEANS
A LA SALA MELTS TOGETHER A VARIETY OF GENRES AND STYLES FOUND ACROSS THE GLOBE, DELIVERING EACH SONG WITH AN EXQUISITE HYPNOSIS, TRUE TO KHRUANGBIN’S COLORS. THE TRIO’S FOURTH STUDIO ALBUM CALLS FOR A SIMPLE, YET INTIMATE CONNECTION TO EACH OTHER AND TO ONESELF, INVITING US “TO THE LIVING ROOM” WITH A GROOVY BREEZE. – CALEB ENJATI, EVLOV, JULY 2024
LIBERTÉ EVOKES THE DEFIANT SPIRIT OF THE FRENCH REVOLUTION, AS OPENING CEREMONY DIRECTOR THOMAS JOLLY LAYS OUT A PILLAR OF THE FRENCH MOTTO FOR THE PARIS OLYMPICS. JARRING IMAGES OF A GUILLOTINED MARIE ANTOINETTE AND A HEAVY RENDITION OF “AH! ÇA IRA” FROM GOJIRA SHOWCASE HOW TRULY METAL THE ERA WAS, WITH THE FIERY PERFORMANCE TAKING PLACE AT THE CONCIERGERIE, THE SITE OF THE FALLEN QUEEN’S IMPRISONMENT. – CALEB ENJATI, EVLOV, AUGUST 2024
THE BORING PHONE IS THE PRODUCT OF A UNIQUE COLLABORATION BETWEEN BREWING COMPANY HEINEKEN, STREETWEAR CURATOR BODEGA, AND DEVICE MAKER HMD. REMINISCENT OF THE Y2K ERA, THE SEE-THROUGH FLIP PHONE ONLY HAS MINIMAL FEATURES, INCLUDING CALL, TEXT, AND A SMALL CAMERA, REMINDING US THAT THE GOOD TIMES HAPPEN OFF OF OUR PHONES IN THE PARTY OF THE PRESENT. – CALEB ENJATI, EVLOV, AUGUST 2024
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